Fine Art

Research paper drafts, thoughts and tutorial with Gareth

The blog seems to have been neglected of late, but that’s actually not true. In an earlier lecture Jonathan mentioned that this reflective practice could happen in several ways. Since my time is currently taken up completely by my job, working on the Iridescent Alloys and my research paper, I haven’t been able to type […]

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The Untold Edition — BTS

This project has consumed the last few months of my creative energy. So much work has gone into conceptualizing and executing it that it is difficult for me to even pen it down. I am literally answering emails and in meetings at all hours trying to set things up with collaborators and coordinate with team

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Experiment # 2: It’s what they whisper

My first tutorial left me feeling interested in how objects could spin a narrative. That week, I decided to experiment with water and glass paints to marble porcelain dishes and mugs and see what kind of art it would create. Here’s the video of the whole process: At that time I added the touches of

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Experiment # 1: I capture the desert

I haven’t concretely written down my project proposal yet, but brainstorming and some research has yielded the following answers about what I am seem to be seeking: I want to build simultaneous narratives to explore the ‘slice of life’ story of an absent protagonist. I want my art to reflect the ‘stream of consciousness’ or

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Notes on– Action Research Methodology for Artists

Lecture by course leader Jonathan Kearney Date: October 17, 2017 The lecture began with an intro from Cecilia Graham about the student’s union. Here are a few of the things she said that I felt were interesting and would like to check out further: Made in arts london: It promotes and sells the art made

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Notes on– Revealing the process through a practice based research project

Lecture by Jo Love Date: Oct 19th 2017 A class or two ago, our course leader Jonathan mentioned the importance of context as we work out our project proposals. I understood it to to mean the arena we, as an artist, chose to work in. Historically, practically, what have other artists been researching/doing that we

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Visit to Arbab Al Heraf

Every expat I have ever met in Jeddah, artist or no, has always been absolutely certain of one fact: there is no room for the expat artist to grow in Jeddah’s local art scene. Yes, you can get a teaching job, yes, you can even visit art galleries superficially, but to be part of it all? Nope.

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