I begin by mentioning again one of the things that emerged as I experimented with pouring paint: influencing the paint. Jonathan said that a beautiful poured painting is the result of a kind of harmony between the painter and the paint, each anticipating the other’s next move in a beautiful symphony. That is definitely one of the ways in which we can arrive at the kind of painting we imagine. Another way, I discovered, is to use textures (and this is something I have used with inks earlier to make calligraphy paintings). If you create a textured underpainting before pouring …