When I started this MA, my work was divided into two veins. There was my self-taught, studio practice stemming from completely random inspiration, shared with the audience only after it had been edited into material I deemed fit for an audience. Then there were my community projects; an un-choreographed intermingling of me as an artist with my audience. The objectives of these two divisions of my practice were also totally different. Studio practice was sold, or gifted, or simply kept in a folder to look back on. Community projects were small sparks intended to impart a love for art, inspire …