Visiting the Luminarium

A few days ago I heard that the Luminarium had arrived in Jeddah. Isn’t the name itself so awe-inspiring and mysterious? Reminded me instantly of the book ‘The Night Circus’ by Erin Morgenstern. Anyway, I took out some time on the weekend to go see the Luminarium and the first word I can think of to describe the experience is: mesmerizing. It was mesmerizing, fascinating, calming, stimulating all in one. It was a giant inflatable, handmade organism that glowed gently from within with flickering lights in different hues and colors and a gentle soothing rumble of music resonated within it. …

Experiment #4: Mosaics with acrylics on canvas?

Making a pure mosaic was… exhausting. Was it because it was so time consuming? Was it because it was my first time ever and the fear of failure was gnawing away at me even as I worked? Was it because work isn’t work when you are doing what you love, and what I love is painting? All these questions rose restlessly in my head when I worked on the piece “I capture the desert”. At the end of that artwork I did feel a sense of triumph. I had trudged my way to completion and even though the piece was …

My new year resolution: Keep a visual journal!

Wow, I have been away from this blog quite a lot recently. But, I do have a very good excuse. I recall during my first tutorial I had only a very vague idea of what I was meant to be doing during the course of this MA, let alone being ready to formulate a project proposal! Now, however, I feel as though I have made significant headway. I’ve conquered my doubts and fears and am ploughing ahead; whether I will reach a productive resolution or not remains to be seen. So, yes, more posts on what I have been up …

Artist Case Study 1: Antoni Gaudi

After the one-on-one tutorial with Jonathan I was left with plenty of food for thought. One of the ideas that sprung up was that of using trivial, everyday objects to illustrate a deeper narrative. I was inspired by Katherine Mansfield’s writing, where she uses mundane situations and objects to describe a character’s complex thought process. And Jonathan pointed out multiple artists who do the same, for example Jane Wildgoose who has an entire library of objects. Ultimately, it led me to create this piece: When I discussed this piece in the last group critique of the term, Steph said it …