The Untold Edition — BTS

This project has consumed the last few months of my creative energy. So much work has gone into conceptualizing and executing it that it is difficult for me to even pen it down. I am literally answering emails and in meetings at all hours trying to set things up with collaborators and coordinate with team members and participants, approving and creating graphics, getting stuff printed and god knows what else. It has literally been so much work that last week I reached the point where I asked myself the question we often ask in the middle of a painting that …

Embracing the storyteller

You know what can be terrifying sometimes? Realizing that you have so many interests, passions and ambitions that you end up feeling totally unfocused. Four years ago I picked art and I have the consistency disease. I literally stick by what I choose through thick or thin. So while the fear was always there, so was art. I wouldn’t give it up, even in the moments where I felt I was a fake, pretending to be an artist. But you know what that did? That sole, blinders-on kind of focus made me exclude some of my other interests as important. …

First interactive digital installation — accepting failure

First interactive digital installation — accepting failure

I wrote a while back about how I was delving into figuring out arduinos, their coding and combining them with voice recognition to create an installation. The idea was to hook up a VR to an arduino and the arduino to processing to play an animation everytime someone used specific words. Well, I managed to write the codes and create the animation BUT I misunderstood one key fact. The hardware I was using was designed to recognize only one voice. So now my interactive digital installation is missing the interactive part since it won’t interact with anyone but me! What …

The Untold Edition — what really happened

When I started this MA, my work was divided into two veins. There was my self-taught, studio practice stemming from completely random inspiration, shared with the audience only after it had been edited into material I deemed fit for an audience. Then there were my community projects; an un-choreographed intermingling of me as an artist with my audience. The objectives of these two divisions of my practice were also totally different. Studio practice was sold, or gifted, or simply kept in a folder to look back on. Community projects were small sparks intended to impart a love for art, inspire …

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